MW Fine Art Photography
  • Inspiration
  • March11th

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    I have hundreds of photographers bookmarked in my browser, and the list keep growing and growing. This post is the first a many more to come in which I share a few links out of my bookmark vault. The three below, Steve Grubman, Tom Maday and Sean Williams, just so happen to all be located in the Chicago area. These are not in any particular order and are here for your resource. I take time to look at their sites to see what they have been up to, and  watch their work change direction and continue to grow. Basically  I’m taking the work in and making mental notes of things. Creativity at it’s best. Also, when I see something that I really like, I deconstruct the photo. I look at where the light is coming from, how the photographer made the photo. I pick the photo apart and use many of these photographers work as a little mini-course in advanced lighting. (click on the screenshot of each photographer’s site to get to their website)

    Steve Grubman is a commercial photographer that specializes in animal, automotive and product photographer for national and international clients.

    Tom Maday shoots commercial and editorial pictures. Since opening his studio in 1986, his award-winning work has appeared just about “everywhere.”

    Sean Williams creates that are imaginatively stylized scenes into worlds we seem to have just stumbled upon–worlds we recognize from fairy-tales and mythology. His work is something to see and take in, as it really gets you thinking. Really great stuff here.

  • February14th

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    There is a slew of new links to share this Valentine’s Sunday! Trying to stay true to my purpose of this blog is to keep the inspiration and creativity going not only within my own head, but within your head too. Coffee always helps too.

    • Thumbing through the Strobist flickr pool with a search requirement limited to the term “coffee” turned up some really nice results. Really opened my eyes to some new ideas.
    • One of my RSS feeds that I follow announced the launching of an entire website dedicated to Canon Speedlight shooters. (Speedliting.com) I’m a Nikon user myself, but this is site is sure to pull at least a few hours of reading time every week.
    • Incase you haven’t heard Aperture 3.0 is out and is getting some really, really great reviews. Chase Jarvis blogged about it and so did Joe McNally so you know it is good.
    • I really had a great find on pixsylated.com with his last post of the 2009 year. 12 Collections of the best of 2009 photos.

    A few other sources of inspiration that I have are the constant “thumbing” back through some of the untouched/unedited files that I have. Here are a few of the revisited files that I cam across that were just begging to be edited.

    Had to end with a pic of my lovie, Happy V-Day to all.

  • February13th

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    I have been a member of jpgmag.com for a few years now, It all started with a trip to the the Green Bay Barnes & Noble one day for a day of looking and picking apart photographs in magazines. With a bold cover, JPG stood out along with the likes of PDN, Archive, SliverShotz, and Skateboarding magazines but I owe more of my inspiration to the online JPG (jpgmag.com) due to members of all skill-sets from all over the world. There are some pretty awesome photos done by “amateurs” and hobbyists that rank up there with some of the best professional photographs that I have ever viewed.

    There is something about “the decisive moment” that makes up a lot of my favorites gallery on jpg. This Henri Cartier-Bresson approach to photography is as tastefully satisfying as your daily vanilla latte or coffee. I find myself going back on a daily basis, more than one time a day, for more than a few days at a time [photography addiction vs. caffeine addiction].

    “The 40′s Were Good to Me” is a photo that I took in 2009 in Freedom, Wisconsin.

    Prints are available 20in x 30in only, series is limited to 400. Please contact me for purchasing information.

    Vote for “The 40′s Were Good to Me” on jpgmag.com!

  • February11th

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    At work we are in the middle of shooting to promotional material and due to scheduling with the clients we end-up having to work into the evening hours. Far different from those shoots that many of us professionals are used to going into the weeee-morning hours of 1-2am.

    At the end of a hard days work it’s always humbling to walk out to my car with sunset like this. Just wanted to share the view.

  • February10th

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    Lately I have had a really hard time dealing with photography as a “professional” as compared to when it I was still am “amateur”. On paper, it’s easy to see the difference:

    Professional |prəˈfe sh ənl| (adjective)

    1. [ attrib. ] of, relating to, or connected with a profession : young professional people | the professional schools of Yale and Harvard.
    2. (of a person) engaged in a specified activity as one’s main paid occupation rather than as a pastime : a professional boxer.
      • having or showing the skill appropriate to a professional person; competent or skillful : their music is both memorable and professional.
      • worthy of or appropriate to a professional person : his professional expertise.
      • informal derogatory denoting a person who persistently makes a feature of a particular activity or attribute : a professional naysayer.

    Amateur |ˈamətər; -ˌtər; -ˌ ch oŏr; – ch ər|

    1. (noun)
      a person who engages in a pursuit, esp. a sport, on an unpaid basis.
      • a person considered contemptibly inept at a particular activity : that bunch of stumbling amateurs.
    2. adjective
      engaging or engaged in without payment; nonprofessional : an amateur archaeologist | amateur athletics.
      • inept or unskillful : it’s all so amateur!
    3. DERIVATIVES
      amateurism |-ˌrizəm| |ˈømədəˈrɪzəm| |ˈøməˈt(j)ʊˈrɪzəm| |ˈøməˈtʃʊˈrɪzəm| noun
      ORIGIN late 18th cent.: from French, from Italian amatore, from Latin amator ‘lover,’ from amare ‘to love.’

    What I’m getting to here is that as a professional I find myself pressured into making images that I don’t so much want to make, but if they aren’t made then the client doesn’t pay or is unhappy. In other words, I’m no longer working for myself, but using my skill set to make the pictures that others want me to make.

    This leaves me to make the pictures that I want to make in my time outside of my “professional” title. But being in the industry that I am, I am very limited as to what it is that I can make pictures of. No people, no interiors, no products, no concerts, no bands, no buildings, no, no, no. The only way that I am able to make pictures outside of work is to put them in the “Fine Art” category. I’m still waiting for the day that I cannot take pictures while i’m on vacation.

    Fine art is a great area of subject, I believe that some of the best photographers of all time have been fine artists. The problem that I run into is that with my day job of make pictures of people, mainly high school seniors, some children, babies and business executives, I have come to be so fascinated with people as a subject. I am drawn to each and every person that steps foot into the studio where I work. I am proud that these clients have chosen us to serve their photography needs. The expectations are all over the board as to what each is looking for, but everyone is looking for me to make them (or their children) look good. Not in my eyes, but in their eyes. When I look at a picture and like am like, wow! But then show a client and they are like, well…….that’s neat…..I like it……….but I can sense that there is still a bit of unhappiness. This means that I have to work harder and continue to build that trust with the client so we are on the same page and I can make what they are looking for.

    I approach each session that I do as a little relationship. When you think about it, how many people have YOU let take a picture of you? As for me, there have been less than a single handful. It is a major thing to have your picture taken to most people. Building that trust with the client starts from the minute that they walk in your studio door, all the way till they come in pickup their prints. Trust is the most important aspect in my relationship with my loved ones, my beautiful wife Maggie, my mother and father, my brothers and sisters. Why should it be any different with the clients that are trusting you to capture their personality, smiles and character in portrait form? The only way to get great pictures is to have that trust with your clients/subjects.

    Back onto the main subject, I find myself attracted to people so much that I have a hard time not making pictures of them outside work. It’s not that I want to take business away, but it’s my way of “practicing”. I don’t charge for portraits when I take them outside of work, which is why I think that they are so mad at me, but it’s not being done for the profit, it’s being done for the passion and fueling the creativity that I bring to work to make the pictures that they pay me to make.

    If this is taken away from me, my creativity, fun with the photography medium, passion and drive go out the window. I HAVE to have the time and opportunities to make the pictures that I want to. It’s passion that drives amateurs, money that drive professionals.

    In closing, thanks for making it through my scattered thoughts. It has been a rough few days and I have had a lot on my mind as to where I would like to take my career and life; more so my life. I know for sure that I am a photographer and that forever I will remain an Amateur because I do it for the passion and love of picture making on a daily basis. I only hold a “professional” title to me name to pay the bills, much like many of the professionals out there. But when work starts to control what I can and cannot do outside of work……….we should really think about if it’s the best position to be in.

    I headed to the Milwaukee Art Museum last fall and haven’t had the time to edit a few of the pictures till now (due to work). Here’s a few, including the portrait of my beautiful Maggie (above).

    What are your thoughts?

    until next time….mw